On the banks of the Min River stands the Leshan Giant Buddha, a magnificent stone carving dating back a thousand years. This work uses the white-line drawing technique to outline the seated statue of Maitreya Buddha, emphasizing its solemnity and grandeur; the mountains and forests behind it are artistically enhanced or simplified, making the composition appear more exaggerated and dynamic. The interplay of light and dark ink tones further enhances the overall artistic expressiveness.
岷江之畔，乐山大佛，乃一千年前之伟大石刻。此作以白描法勾勒弥勒佛坐像，突出其庄严雄伟；对其背后的山体与树林，则施以艺术之增减，使画面更显夸张而富张力。墨色之轻重交错，亦增强了整体的艺术表现力。
On the banks of the Min River stands the Leshan Giant Buddha, a magnificent stone carving dating back a thousand years. This work uses the white-line drawing technique to outline the seated statue of Maitreya Buddha, emphasizing its solemnity and grandeur; the mountains and forests behind it are artistically enhanced or simplified, making the composition appear more exaggerated and dynamic. The interplay of light and dark ink tones further enhances the overall artistic expressiveness.
岷江之畔，乐山大佛，乃一千年前之伟大石刻。此作以白描法勾勒弥勒佛坐像，突出其庄严雄伟；对其背后的山体与树林，则施以艺术之增减，使画面更显夸张而富张力。墨色之轻重交错，亦增强了整体的艺术表现力。