“Waterfall at Baishi Mountain” is a painting executed in the rich, vibrant blue-green style. Although based on a sketch from life, the colors have been entirely stylized—with the exception of the flowing water, which retains the original white space, everything else is arranged by the artist.
The composition employs a rhythm of primary and secondary elements, as well as density and sparseness, infusing the work with poetic sentiment, while the red accents serve to draw the viewer’s gaze to the focal point.
The red radiates outward from the center, gradually fading from intense to pale and becoming sparser as it recedes into the distance; the layers echo one another, creating a continuous flow of energy throughout the composition.
《白石山瀑》是一幅重彩青绿之作。虽为写生，然色彩全然艺术化处理——除流水依样留白外，其余皆由画家自行布陈。以宾主、疏密之节奏入画，寓诗情于其间，复以红色点醒画眼。红色自中心放射而出，由浓渐淡，由密渐疏，层层远去，彼此呼应，气脉贯通。
“Waterfall at Baishi Mountain” is a painting executed in the rich, vibrant blue-green style. Although based on a sketch from life, the colors have been entirely stylized—with the exception of the flowing water, which retains the original white space, everything else is arranged by the artist.
The composition employs a rhythm of primary and secondary elements, as well as density and sparseness, infusing the work with poetic sentiment, while the red accents serve to draw the viewer’s gaze to the focal point.
The red radiates outward from the center, gradually fading from intense to pale and becoming sparser as it recedes into the distance; the layers echo one another, creating a continuous flow of energy throughout the composition.
《白石山瀑》是一幅重彩青绿之作。虽为写生，然色彩全然艺术化处理——除流水依样留白外，其余皆由画家自行布陈。以宾主、疏密之节奏入画，寓诗情于其间，复以红色点醒画眼。红色自中心放射而出，由浓渐淡，由密渐疏，层层远去，彼此呼应，气脉贯通。